Two sexual adjectives and a vicious verb, invites you into Samuel’s bitter brittle state of the USA , intro-ing with a song that would have been a hit for Nine Inch Nails 20 years ago, and a body blow to the American dream, and continuing with “The Lion And The Lamb”, an acoustic Neil Young in protest mode and about a gay kid thrown out by his parents but without the whining vocal, “Hurt” you know and it is here to stake Samuel’s claim to experimental hard rocks disappeared high ground, and by the final track, a trip hop meets Marilyn Manson meets Lee ‘Scratch’ Perry (or at least Adrian Sherwood) mash up, Claiborne’s debut stakes its claim to be the most original agitprop of the year if not the decade – ALBUM OF THE WEEK – A-