Skip to content

Weird Al Yankovic, Verizon Theater, Grand Prairie, Texas, Friday, 21 August 2015 Reviewed

IMG_2587

 

Weird Al and I have a history.  Before I was a teenager, I was regularly listening to the Dr. Demento program.  A sixteen year old, accordion squeezing Yankovic had first met Dr. Demento (the disk jockey and music historian known to his family as Barry Hansen) in 1976 and slipped him a homemade tape with the song “Belvedere Crusin’.”  With lines like “There’s something about a Comet that makes me want to vomit/And those Datsuns just ain’t worth a…fudgsickle,” Al was already staking a claim on his artistic turf.  I clearly remember the early parody songs – “My Bologna,” “Another One Rides the Bus,” and “Yoda,” all staples on the Demento program.  While fellow novelty artists like Ogden Edsl (“Dead Puppies”) and Tom T-Bone Stankus (“Existential Blues”) have faded into obscurity, Weird Al has made a sustainable and profitable career from his spoofs of popular music’s biggest hits.  Long may he nerd.

Yankovic would probably be in the dustbin of pop music history, if not for the rise of cable television and MTV in the ‘80s.  His music needs the corresponding visual images and they are a strong presence in his live show.  Between almost every song, videos of Al are shown – a mixture of cartoons, Weird Al references of in popular culture, and his satiric celebrity interviews.  Yankovic excels in sight gags and comedy sketches to the point where some of his video packages are more entertaining than his songs.

He almost sold out show at the Verizon Theater for this Friday night gig (it was a much bigger and more interestingly attired crowd than the venue had for recent concerts by Alice Cooper, Judas Priest, and Deep Purple).  The opening number was “Tacky,” Al’s spoof of Pharell Williams’ “Happy,” which was performed by the band onstage while Al was on video walking through the backstage hallways, through the crowd, and finally making it to the stage and dancing like an electrified jellyfish.  He stayed with his 2014 #1 pop album Mandatory Fun with his Southern Culture on the Skids style parody “Lame Claim to Fame,” then performed a medley of pop songs from the past few years (“Wrecking Ball,” “Pumped Up Kicks,” “Get Lucky,” etc.) in a polka format.

Al’s music draws you in because you are often hearing some of the most recognizable hooks and riffs in pop music.  His band has the talent to move from hard rock, modern pop, and rap seamlessly and Al never breaks character during the show.  There’s no moralizing or social commentary in his material.   Silliness reigns supreme.  He provides an escape from the dreary seriousness of modern pop music and modern popular culture. Al’s mass audience is not only based upon the appreciation of his humor, but by the complete lack of mean spiritedness in his approach.  Nobody looks unusual at a Weird Al gig, because it’s a safe haven for nonjudgmental fun.  He’s not always as clever as he and his audience thinks he is (take “Word Crimes,” please), but he certainly knows how to structure an entertaining show.

Highlights of the evening included the Devo style parody “Dare to Be Stupid,” his medley of songs performed as a solemn spoof of MTV’s Unplugged concerts with “Eat It” given an acoustic edge a la “Layla,” and his culture crossing “Amish Paradise.”  By the time he performed hisStar Wars parody “The Saga Begins” for the encore, the entire audience was standing, swaying, singing along, as the Nerd King emulated the contemplative nostalgia of “American Pie.”  I don’t want to live in Weird Al’s world, but it’s a comforting place for an occasional visit.

Grade – B+

 

Setlist:

Tacky

Lame Claim to Fame

Now That’s What I Call Polka!

Perform This Way

Dare to Be Stupid

Fat

First World Problems

Foil

Smells Like Nirvana

Party in the CIA / It’s All About the Pentiums / Handy / Bedrock Anthem / Another One Rides the Bus / Ode to a Superhero / Gump / Inactive / eBay

Canadian Idiot

Wanna B Ur Lovr

Eat It / I Lost on Jeopardy / I Love Rocky Road / Like a Surgeon

(Acoustic Medley, “Eat It” to… more )

White & Nerdy

Word Crimes

Amish Paradise

 

Encore:

We All Have Cell Phones

The Saga Begins

Yoda

Leave a Comment





Amazon_Smile_logo
LET-ME-HELP-LOGO

Support Let Me Help Inc by shopping at smile.amazon.com

The Early Bird: Top New Recorded Releases 12-3-21 – 12-9-21 Reviewed

By Iman Lababedi | December 3, 2021 |

SZA’s best since 2017

The Earliest Bird: Top Recorded Release For 12-3-21 – 12-9-21. Arca’s kick ii, iii, iiii, iiiii, Reviewed

By Iman Lababedi | December 3, 2021 |

the state of pop art is somewhere in Arca’s sound

Acid Tongue Release Third Album, “Arboretum”

By Alyson Camus | December 3, 2021 |

part glam-rock opus, part mixtape

Best Of 2021: Songs In Order Of Preference Through November 30th, 2021

By Iman Lababedi | December 2, 2021 |

an ear candy of epic proportions

Best Of 2021: Albums In Alphabetical Order By Artist Through November 30th

By Iman Lababedi | December 2, 2021 |

shot dead

Substance Festival At The Belasco, Sunday November 28th 2021

By Alyson Camus | December 2, 2021 |

an immersive sonic experience

Loïc Gouzer: Particle – Making Fine Art Accessible to All

By Eileen Shapiro | December 1, 2021 |

Particle is on a mission to revolutionize the fine art industry and every work acquired by the company will be included in the “Particle Foundation,” a nonprofit that will maintain, display, and tour the collection on behalf of the community.

Luke Combs’ What You See Is What You Get Tour At Madison Square Garden, Tuesday, November 30th, 2021, Reviewed

By Iman Lababedi | December 1, 2021 |

lives and dies with his songs

Brief Encounters: New Album Releases 11-26-21 – 12-2-21

By Iman Lababedi | December 1, 2021 |

an immaculate collection

Live Review: Randy Edelman “A Life In 80 Minutes” @ Chelsea Table & Stage in NYC, Nov.27, 2021 By Harley Rain

By admin | November 30, 2021 |

Live Review: Randy Edelman “A Life In 80 Minutes” @ Chelsea Table & Stage in NYC, Nov.27, 2021

Scroll To Top