The Queers


By Alyson Camus | March 25, 2018

Pussy Riot have 3 intimate shows in a row at the Echo

That Was The Week Of February 10th, 2014, That Was

By Iman Lababedi | February 18, 2014

Derek Jeter retiring at the end of this season. I remember seeing his very first game in the majors and noticing him and, as a season ticket holder from 1999 – 2001. Greatest moment? The lead off home room in game four of the 2000 World series

10 Songs: February 18th, 2014

By Iman Lababedi | February 18, 2014

Marry Me – Drive-By Truckers – Off their best album, this is a pure slice of Rolling Stones style hard country rock and holla by one Mike Cooley, which revs and revs to a blasting guitar solo before Cooley’s rasp takes em home – A

The Queers At Mercury Lounge, Saturday, February 15th, 2014, Reviewed

By Iman Lababedi | February 16, 2014

Ben Weasley’s solo on “I Hate Everything” is succinct to the point of abruptness, drummer Lurch Nobody’s intro to “Monster Zero” is exemplary, bassist Chris Fields was all speedy power chords. And Joe has been doing it so long it is a zen like -I don’t mean calm, I mean natural and intuitive, everything done to the precise degree necessary for the required effect.

Active Viewin': Concert Picks For Week Of February 10th, 2014 (except we're late)

By Iman Lababedi | February 12, 2014

Websites that have nervous breakdowns for four days don’t post concert picks for the week. Write them? Sure we write them. But post em? That ain’t happening. So this Wednesday I’m gonna save you the usual song and dance and boil the week down to three sets. Two of which occur at the same time.

10 Songs: Sunday, February 2nd, 2014

By Iman Lababedi | February 2, 2014

Lavender Blue (Dilly Dilly) – Burl Ives – Not only was Ives an exquisite singer but this English folk song, dating from the 1700s, is completely timeless; it shoots through over 300 years of nursery rhymes and travelling minstrels completely in tact. Perfection – A+

10 Songs

By Iman Lababedi | January 31, 2014

After Grand Theft Auto got through with the Hawaiian native, he’d move to L.A. and signed to WB. Nice work if you can get it, and the opening track of his first major label album, he gives them what they want: modern AOR with a mid tempo alt indie and a catchy hook, “leave your record on” he is more than willing to repeat till you get the point – B+