Skip to content

Mariah Carey All Upset On The Bathroom Floor

the dog could have hit the space bar

What is up with this little story?  Apparently Mariah Carey was so distraught by recent events on her Facebook page that she took to the bathroom floor for a ridiculously long statement to her fans. 

The problem? A sound engineer loaded the wrong version of her new single ”  ” and her listening party was just plain ruined.

I find it annoying when artists go on and on about how they do it for the ‘the fans’ and how they are so in love with each and every ‘fan’. Don’t kid yourself, you’re a necessary evil.  They do it for the cash and they do it for the fame- you just have to be provide it.

Mariah gets nice and snippy as she describes the function of the engineer who had to ‘hit a space bar’.. hilarious, but not as hilarious as being on the floor about it.  Here is her psycho talk

“Hey Lambs, I have to tell you this, I can’t do what I always do and say nothing at all. It is 3:30am (11.14), and I’m sitting on my bathroom floor, very upset by some news I just got from a close friend and employee. Lucky her, she was ‘nominated’ to deliver this message to me after the long awaited 11.11 moment and the Jimmy Fallon show, knowing how upset I would be. Not because the world has come to an end or something, but because this 11.11 listening party was so important to me on a core level as a musician, who cares so much about how my fans hear my music for the first time that I didn’t even allow a snippet to be released until 11 on the dot.

To cut to the chase, a mistake was made by a brand new sound engineer whose only task was to press the space bar and upload the song to Facebook, while my team, and an incredible group of people from Facebook, partied while listening to the properly mixed & mastered version of ‘The Art of Letting Go’ on repeat from my iPod on my home speakers. Clearly, I was focused on answering your questions during the Q&A. There was no reason for me to wonder if the final mix we were listening to in that room together was different than what you were listening to!!!!! Like I always say, I am involved with every record I make, from the inception to the completion of the song. Every nuance of the beat or vocal matters to me. Even if the differences may seem slight to you, I had put time, effort and emotions into ‘The Art of Letting Go’ and the real mix is how I intended for you to hear the song.

Rather than remove the old version from Facebook (the iTunes version is the real one), I just figured I would put up the real mix and allow you to listen to it back-to-back, should you choose to do so and tell me what you think the differences are.

I want you to hear it like you’re hearing it for the first time with me, and I will answer any questions that you have, pertaining to the song. You know that I don’t comment on gossip, I typically don’t respond to things like this or go into so much detail to the world, but this is something I’m upset about and I wish I would have known sooner.

There’s no doubt in my mind that this sounds like a self absorbed diva on a ‘woe-is-me’ tangent about a couple of ad libs or some other triviality, but the reality is this is me, focusing solely on the record, wanting you to hear it and experience it the right way. I love and appreciate you so much for taking the time to even glance at this 20-page ‘diva in distress’ thesis. Thank you for letting me vent, this is another reason why Facebook rocks! You’ll be hearing from me soon. Here is the REAL version of ‘The Art of Letting Go’.

Answers these questions for me:
1. Can you hear a difference at all?
2. Can you see why I like this version better?
3. Where can you hear the differences?
4. Does the song affect you different emotionally after hearing the real version?

Let’s talk about it, I’ll be here waiting!”

Leave a Comment





Amazon_Smile_logo
LET-ME-HELP-LOGO

Support Let Me Help Inc by shopping at smile.amazon.com

Pet Shop Boys, New Order, Paul Oakenfold “Unity Tour” at Madison Square Garden, Wednesday, September 28th, 2022 Reviewed

By Iman Lababedi | September 29, 2022 |

It felt old

Creem – America’s Only Rock ‘n’ Roll Magazine, Reviewed Issue By Issue – September 1978 (Volume 10, Number 4)

By Steve Crawford | September 29, 2022 |

I shall seek other worlds

Brief Encounters: New Albums 9-23-22 – 9-29-22

By Iman Lababedi | September 29, 2022 |

son of Mali guitar legend meets instrumental psyche band

This Saturday

By admin | September 28, 2022 |

This Saturday

Eileen Shapiro: “Portfolio Of A Rockstar Journalist” With R&B Great Toni Braxton

By Eileen Shapiro | September 28, 2022 |

a warning for other women

Creem – America’s Only Rock ‘n’ Roll Magazine, Reviewed Issue By Issue – August 1978 (Volume 10, Number 3) 

By Steve Crawford | September 28, 2022 |

a candid fellow

Grace Jones With Chvrches At The Hollywood Bowl, Sunday September 25th 2022

By Alyson Camus | September 28, 2022 |

Her colossal stage presence is timeless

Marshall Crenshaw’s “40 Years in Showbiz! (1982-2022)” At City Winery, Monday, September 26th, 2022, Reviewed

By Iman Lababedi | September 27, 2022 |

the musical equivalent of how Crenshaw at 67 years of age continues to live life as an artist

The Streaming Charity Performance Of The Year, A Six Hour, Worldwide Extravaganza To Help Children For $5

By admin | September 27, 2022 |

music and care for a world in pain

US Top Ten Singles Tracking 9-16-22 – 9-22-22

By Iman Lababedi | September 27, 2022 |

at the top of the singles charts and at the top of the movie box office

Scroll To Top