Yes, I named the Facebook Page “Justice For Elliott Smith” and yes, justice always matters but past the question of the LAPD either investigating or closing the file on Elliott, or punishing wrongdoers if indeed there are any, what does it matter whether Smith jumped or was pushed?
It might not matter for every musician but it matters for Elliott because it effects how we listen to him.
If he killed himself, it deepens the songs.
If he did not kill himself, it makes the hope larger.
Kurt Cobain’s suicide fundamentally changed how we listened to Nirvana and absolutely how we hear In Utero: it made a soothsayer out of depression. The same absolutely applies to Smith, “The Biggest Lie” and really so many of his songs seem so dusk-y that when you hear he killed himself it kinda makes sense.
So you take these songs, this canon, and they seem like an arrow pointing downwards to oblivion, because of his death they seem to imply his death and become sign posts to a form of oblivion. It isn’t fair, and it isn’t true, but there it stands. To claim depression is nihilism is illogical. Any time you, any time Smith, raised his voice in song, he annihilated nihilism. You can’t believe in everything and nothing at the same time, you can’t share your songs, in public, and at the same time get caught in such a specific downward spiral. Still, if he killed himself it feels like a downward movement. It goes from bad childhood to bad drugs to bad romance to bad dead. It’s like Smith skids out of view while you watch him.
In themselves, the songs are not about hope but about the darkest, deepest regions of our soul, a place so dark we are not completely aware of them. It is a music to a personal apocalypse.
If he killed himself.
The other comparison is John Lennon. Who was murdered. Lennon is the bigger of the two deaths because Lennon got stilled before we was over and his fans lost all the songs he never wrote that he didn’t write.
If Smith didn’t kill himself than the songs and the story change on you and it stops being the story of how depression kills but how a career was stopped: suddenly everything stops pointing to death and moves towards a future never reached: sobriety, fame, hope, love, marriage, children, and songs and songs and songs. Despite our feeling sorrow that he died, our sense of sorrow is added a color other than black, there is a glimmer somewhere of a place never reached and the songs seem to be a step that the audience joins him in. Yes, his voice was stilled either way, but his voice now becomes stilled before his song was finished and a possible sea change has not occurred.
If he did not kill himself, his many many fans have been seriously injured by not learning how Smith would have dealt with the rest of his life in a musical sense. Suicide is, more or less, a decision and, more or less, if it was Smith’s decision to end his life, his fans lost no more than if Smith decided to never write another song. He closed his own book. But if that isn’t the case, over and above the question as to justice, is the question of a deep intense loss of art taken away from you and I.
Obviously, if you care about Elliott Smith how he left his life is of immense importance.
Live Review: Randy Edelman “A Life In 80 Minutes” @ Chelsea Table & Stage in NYC, Nov.27, 2021 By Harley Rain
Live Review: Randy Edelman “A Life In 80 Minutes” @ Chelsea Table & Stage in NYC, Nov.27, 2021
proven itself a follow up to “Hello”
Her perceptive songwriting is complemented by her idiosyncratic guitar playing and distinctive vibrato-less voice
the goths have the best dancefloors
album sales comprise 692,000
back in the studio in January 1969, three months after they had nailed down 30 songs for The White Album
a collection of genres all united under the same gothic roof
Kali uses it creatively
everything she has done this past two years has proven itself important
“wastes no time with things like verses and other niceties deemed unnecessary on its direct route to fun”