Opening for Iggy and the Stooges must be damn difficult and intimidating, but I am not sure anything can intimidate Teri Gender Bender, frontwoman of the strangely-named band, Le Butcherettes…. Shouldn’t it be Les Butcherettes if there is an s?
But like Iggy, Teri Gender Bender (born Teri Suarez) is much more than a frontwoman, she is the center of attention, she is Le Butcherettes alone, flying on stage, even doing one of the most memorable stage dives I have ever seen, elegantly plunging as if she was in front of a swimming pool, than suddenly reappearing and climbing back on stage before we were aware of it. She was so volatile it was hard to follow her antics, and after a few songs, I came to the conclusion she must also be a little crazy.
With her cute doll-dress, black tights and blood-covered housewife apron, she seemed to make some big feminist statement, i.e. the gender bender name, and the fake blood to denounce violence against woman. But how many bands have such a strong female presence going insane onstage? She once butchered her bangs with a pair of scissors on stage, even peed in front of the audience at her recent show at the Troubadour, and it was not the first time, as she said that ‘Pee doesn't have to be bad. It can be graceful’.
On Thursday night, she did not urinate on the stage of the Palladium, but she played all along with unexpected weirdness. Switching back and forth between synth and guitar, she screamed her lyrics, sometimes even taking a soprano voice for just a few seconds, rolling the rs like a Russian girl singing a punk polka, or yelling some angry tirades in Spanish between the songs (the band is originally from Mexico city and recently relocated in Los Angeles).
Playing a sort of garage punk, she was raw, she was enraged, she was a storm on stage screaming ‘I’m getting sick of you’, a hard explosive number from their recently released album ‘Sin Sin Sin. The music was violent and rocking hard, thanks to a blond girl (a guy who was filming behind me said she was his daughter) producing hard and fast pounding drumbeats, and Omar Rodriguez-Lopez of the Mars Volta who was filling in on bass.
Tery was twisting her body in every direction, even doing a few half-failed handstands on stage, and dancing with the top of a male mannequin, never out of theatrical moves from her original punk cabaret.
So, is she crazy? May be but I actually love crazy, as Terry Gender Bender seemed to be the incarnation of some female cyclone with an expansive range of vocals, physically expressing her music with the boldest moves, and you simply had no other choice than to ride her wild wave.
It may be hard to impress Iggy Pop’s fans but, on Thursday night, I think she just did that.
The White Buffalo is at the Regent Theater
from Dermot to Nickelback is a highway to hell
seven days later she falls to earth
emotional vocals crooning over a gently plucked acoustic guitar
nostalgia as the last exit to oblivion
The Earliest Bird: Top New Recorded Release 11-25-22 – 12-1-22, Jimi Hendrix And Zayn’s “Angel” Reviewed
I can’t see how it can be a hit but it sure deserves to be
Thank you readers, thank you Alanis, thank you, thank you, karma.
a weekend of stardust-spangled grandeur
Creem – America’s Only Rock ‘n’ Roll Magazine, Reviewed Issue By Issue – September 1980 (Volume 12, Number 4)
excellent work by future editor John Kordosh
let’s share the music, laughter and love of this past year