Mike Nessing got it right on this album EXCEPT ti sounds so dated. It sounds like Twist fell in a rabbit hole. That’s the only way I can express my reverence for the fake out ending of “Monkey With A Flashlight”.
There is a question here (Rock NYC has the same one), what are you srlling and who are you selling it to?
I can’t believe the blokes at Pitchfork or Spin are not flipping for this. I realize it’s tough gertting tons of tracks a day but even if Kelley doesn’t perk your interest, if Don Dixon doesn’t don’t pretend you know what you’re doing.
This is a great album (read Nessing’s review if you wanna know why, it is fallen out of time and big time of the moment pop fan me? Love it.