Latin Jazz saxophonist Leandro “Gato” Barbieri, who composed the Grammy-winning music for the steamy Marlon Brando film “Last Tango in Paris” and recorded dozens of albums over a career spanning more than seven decades, has died at age 83.
Laura Barbieri, his wife of nearly 20 years, said her husband died Saturday in a New York hospital from pneumonia. The musician recently had bypass surgery to remove a blood clot.
“Music was a mystery to Gato, and each time he played was a new experience for him, and he wanted it to be that way for his audience,” she said. “He was honored for all the years he had a chance to bring his music all around the world.”
The Argentine-born musician recorded some 35 albums between 1967 and 1982, when he stopped consistently making new records. He toured regularly and went on to record four more albums, including 1997’s smooth jazz “Que Pasa,” which reached No. 2 on Billboard’s contemporary jazz charts.
Though in poor health, Barbieri, still sporting his trademark black fedora hat, had been performing monthly at the Blue Note jazz club in New York, since 2013. He last performed at the club on Nov. 23.
“He was my best friend,” Laura Barbieri said Saturday. “I’m so grateful we had these 20 years together.” She said a public memorial was being planned, but details have not been finalized.
Last year, Barbieri received a Latin Grammy lifetime achievement award for a career that covered “virtually the entire jazz landscape.”
The citation from the Latin Recording Academy credited Barbieri with creating “a rebellious but highly accessible musical style, combining contemporary jazz with Latin American genres and incorporating elements of instrumental pop.”
Barbieri won a Grammy for best instrumental composition in 1973 for his music for “Last Tango In Paris,” the controversial erotic drama starring Marlon Brando and Maria Schneider that earned two Oscar nominations.
When director Bernardo Bertolucci needed sexy music for “Last Tango,” he turned to Barbieri who was known for his distinctive, sensuous, huge-toned tenor sax sound.
“It was like a marriage between the film and the music,” said Barbieri of the soundtrack that made him an international star, in a 1997 interview with The Associated Press. “Bernardo told me, ‘I don’t want the music to be too much Hollywood or too much European, which is more intellectual. I want a median.'”
Barbieri said tango had a special appeal because it is deeply tied to his Argentine soul.
“Always in the tango is tragedy – she leaves him, she kills him. It’s like an opera but it’s called tango,” Barbieri said in 1997, noting that half of Argentinians, including him, had roots in Italy. “The lyrics and the melodies are very beautiful. It’s very sensual.”
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